Eros O Deus Do Amor: A Brazilian Drama About Sexuality and Love
Eros O Deus Do Amor: A Brazilian Drama About Sexuality and Love
Eros O Deus Do Amor (Eros, the God of Love) is a 1981 Brazilian film directed by Walter Hugo Khouri and starring Roberto Maya, Norma Bengell, Maria ClÃudia and Dina Sfat. The film explores the process of formation of sexuality and the search for a woman that does not exist.
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The film follows Marcelo (Maya), a successful architect who is dissatisfied with his marriage and his life. He has frequent fantasies and memories of his past sexual experiences with different women, from his childhood to his adulthood. He is obsessed with finding a woman who can fulfill his ideal of love, but he never finds her. He also has a complex relationship with his mother (Sfat), who is dying of cancer.
Eros O Deus Do Amor is a controversial and provocative film that deals with themes such as eroticism, incest, homosexuality, death and spirituality. The film features explicit scenes of nudity and sex, as well as a surreal and symbolic imagery. The film also has a musical score by Rogerio Duprat, who was known for his work with the Tropicalia movement.
The film was critically acclaimed and won five awards at the 1982 Gramado Film Festival, including Best Film, Best Director, Best Actor, Best Actress and Best Cinematography. The film was also selected for the 1982 Cannes Film Festival, but it was not screened due to technical problems.
Eros O Deus Do Amor is a rare and cult film that is hard to find online. However, you can watch it on MUBI[^1^], a streaming service that offers curated films from around the world. You can also find more information about the film on IMDb[^2^].
Eros O Deus Do Amor is a film that reflects the director's personal vision and style. Walter Hugo Khouri was a Brazilian filmmaker who was influenced by European cinema, especially by the French New Wave and the Italian Neorealism. He was known for his psychological dramas that explored the themes of alienation, existentialism, sexuality and death. He often used non-linear narratives, flashbacks, dream sequences and symbolic imagery to create a complex and ambiguous film language.
The film also makes a reference to the Greek mythology of Eros, the god of love and desire. Eros was a primordial god who represented the creative force of the universe. He was also depicted as a winged boy who shot arrows at people to make them fall in love. In some versions, he was the son of Aphrodite, the goddess of beauty and love, and Ares, the god of war and violence. The film suggests that Marcelo's quest for love is influenced by his own inner conflict between his erotic and aggressive impulses.
Eros O Deus Do Amor is a film that challenges the viewer to question their own notions of love and sexuality. It is a film that explores the human condition in a modern and urban context, where loneliness, frustration and dissatisfaction are common feelings. It is a film that invites the viewer to enter Marcelo's mind and share his fantasies and memories, as well as his doubts and fears. 0efd9a6b88
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